Some people went to weddings, some went to the strip club, somebody is going to get more liquor at the store, like…it’s a lot.” Christian, on his weekly prowl, shares the same worries. Prajje backs this up a few minutes later, when he puts forth his misgivings: “At this point, I don’t really know what page everybody is on. In general, they find the instincts in the room refreshing, but the actual execution on several looks? Incomplete, even confused.
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In the workroom, season 18 winner Geoffrey Mac and icon Cyndi Lauper materialize to dole out their own advice. In the immortal words of Christian, it’s “fabulous.”Ĭyndi Lauper and Geoffrey Mac with Shantall. When asked if she has an unexpected element to add to her collection, she gives Christian a wry smile and reveals her smoking gun: She’s going to make a quilted coffee cup to accompany her robe-dress. At Mood, Prajje immediately obsesses over a pattern adorned with abstract naked women, while Kristina gravitates toward a pile of gorgeous blue-hued silks. I mean, it’s just me, what’s the point of wasting clothes?”), followed shortly by Bones (“panties and durags”). A behind-the-camera interviewer asks what each contestant wore during lockdown, and all have good answers, though the reigning response goes to Prajje (“I spent most of my time in my house, naked. The designers have plenty of personal experience to draw upon as they hunt for the perfect material. Their fabric choice will be paramount to their success, Christian points out as they descend on Mood with $400 and 30 minutes to shop. Think satin joggers and cashmere sweaters, not bedazzled sweatpants or organza hoodies. The designers will have one day to assemble an elevated loungewear look that's comfy yet luxe. This week, Christian introduces us to a quarantine-inspired challenge: cozy-chic. Here’s where the whole song-and-dance went wrong. But let’s not get too far ahead of ourselves. For them-and certainly for the designer I chatted with-this competition feels as if it’s balancing on needle-thin stakes.Īnd so we come to episode 8, which featured two eliminations I found absolutely heart-wrenching for the reasons I’ve outlined above. And yet I don’t think the designers themselves approach the experience that way. These critiques, at this point in television history, are passé.
Remember, too, we only see a small glimpse of the fashion portfolios these competitors have spent decades curating, and if one hastily compiled look doesn’t happen to fit our taste (or, more importantly, the judges’ taste), then that shot at PR-induced success suddenly, anti-climactically dissipates. It’s easy to forget the contestants are real small-business owners, struggling to get by, when the bulk of an episode focuses on their dramatic meltdowns. The problem is that Project Runway-and, by extension, the greater fashion industry-all too often falls into the trap of its own flash.
They want what Christian Siriano achieved after his win: the chance for their brand to blossom into a bona-fide fashion house. They come because they want to make fashion, and they want the prestige and notoriety that Project Runway, supposedly, brings with it. Unlike in many of Bravo’s other projects (most obviously The Real Housewives franchise), most of Project Runway’s contestants don’t join the program so they can become Instagram-famous or celebrity influencers.
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Of course, I reserve the right to criticize as both an enthusiast and a reporter, but our ensuing conversation was enlightening for a key reason: It reminded me these designers are not reality TV stars. After I published last week's recap, a Project Runway season 19 contestant-who will remain nameless to protect their privacy-reached out to me, taking issue with a criticism I’d made about one of their designs.
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